So, rumours are rife and announcements are expected. In fact Nikon announced new shiny cameras yesterday. I'm a member of many so-called "professional" photography forums and yet after the announcement all the discussion was about the features, what cards the cameras took, OVF vs EVF vs Flipscreen. How many mega-pixels.... These are NOT the important … Continue reading New Announcements and Rumours.
The Names BOND.
Just a quick post of some of the work I shot last night at the World Premiere of the latest Bond film SPECTRE. Really just to give an idea of typical work and results. Not really a blog post, just a "did this with these cameras" Apart from one shot, they were all shot on … Continue reading The Names BOND.
The Long Problem: Part 2
Footnote: Just as I was publishing this the Metabones adaptor was delivered. If the packaging is anything to go by, this is going to be a very good investment. Thats how I finished off The Long Problem: Part 1. I have now had this adaptor for just over a month and have used it on a … Continue reading The Long Problem: Part 2
16-55 / F2.8 : A true workhorse
If you have read earlier posts you will know they are not that long and when it comes to kit its more about "can I achieve what I need to achieve" rather than pixel-peeping sharpness reports. This will be the same... The "standard" zoom focal length is the staple of most press photographers work, particularly … Continue reading 16-55 / F2.8 : A true workhorse
Just Working: Frightfest
This weekend I have been working at the 5 day Frightfest Horror film festival, an event for which I have been the official photographer for more years than I remember. This year I have been using just the X-T1 along with the 56/1.2 and 16-55/2.8 (thoughts on this lens to come). Ive been resisting doing … Continue reading Just Working: Frightfest
Julie Edwards-X 