All my work has been cancelled! What Now?

The last few weeks have been difficult and it is about to get a whole lot tougher! What now?

During February I flew to Los Angeles to cover The Oscars and then to Berlin to cover Berlinale (The Berlin Film Festival). I then used a loan GFX50R on a photoshoot for a band. I had also covered the March4Women on International Women’s day and the 50th Mark Kermode in 3D at the BFI. I had planned that the next 5 or 6 posts were to be about these trips, shoots and the camera but events have overtaken us somewhat and I feel that maybe there are other, more pressing, words to be written. (The other posts will follow).

Stars and activists gather #March4Women this International Women’s Day for gender equality and climate justice on Sunday 8 March 2020. X-T3 / 16-55 + 2 * Godox AD200 for Fill

Like (almost) every other photographer I have seen my work diary empty, rather rapidly it must be said and I now have nothing booked. Obviously this crisis will come to an end and photographs/photographers will be needed again, hopefully the portrait bookings I had will re-book and there is the glimmer that Festival de Cannes will be moved to the summer (oh damn 2 weeks in the French Riviera in the Summer!) As I said above, but what NOW?

Only one person in the shop please. X-T3 / 27mm

As a press photographer the obvious thing is to go out and report on the carnage. The Shops, the queues, the goods shortages but then there are so many doing that.

Watching a Classic Film, Le Mans : X-T3 / 14mm @ F2.8 / 800ISO

I want to take a different tack. So many photographers have written on Social Media in despair, with no income what can they do? I want to suggest some different ideas to keep ourselves occupied and whilst these ideas may not solve the immediate financial problems, they will at least help with the future.

Reading West is West by Sarah Lee. : X-T3 / 14mm @ F2.8 / 1000ISO

First up – don’t sit doing nothing worrying. “Satan finds some mischief still for idle Hands to do” – as I see it the less we do the more we worry and these are worrying times.

The world will without doubt change, work will without doubt change. I personally cannot see it becoming a financially stronger world but maybe as people start to realise what actually matters to them. My hope is it will become a culturally stronger world.

Try to put that aside. Use your creative talents to add to (what I hope to be) this culturally stronger world. There are so many things we, as photographers can be doing right now, to strengthen our position for when the crisis does end. There are so many other things to photograph than shelves devoid of toilet rolls. Need Ideas?

Too much social media may be a bad thing, but it also may be a positive. : X-T3 / 14mm @ F2.8 / 1000ISO
  • For how long have you put off updating your website? Now is the time!
  • Don’t understand social media? Learn!
  • Lots of old images that are just languishing on your disk? Edit & Upload them to a stock library!
  • Think video maybe the way forward? Time to learn to light, shoot and edit video!

A quick note on the stock library idea: I know not everyone is a fan of libraries or agencies but at the moment, each month I get regular income from images I have shot over the past 12 years, this income will help hugely during the next few months.

A Pub Sunday lunch delivered! (Thank you Brunswick and Thorn)! : X-T3 / 14mm

The thing is, right now time is the one thing we have plenty of, so don’t rush these jobs, take your time, vary your day, tackle a task then get an old (or new) photo book down for inspiration. Then move on to the next small task. There is no rush the moment!

Supporting local businesses : A Pub Sunday lunch delivered! : X-T3 / 14mm

I’m doing all of these things but I am also doing a personal project: We as photographers always point our cameras out, at others and we defend ferociously our right to do so in public. So during this time I am pointing it inwards, documenting our home life, how we are living, what changes we are having to make to get through this. There is so much to document!

Too much social media may be a bad thing, but it also may be a positive. : X-T3 / 14mm @ F2.8 / 1000ISO

It’s not a vanity project, its warts and all!

Ok no warts but not exactly flattering! Home Exercise! X-T3 / 14mm (Interval timer)

I’m sure every photographer, if they think about it, can find something at home to photograph to make a project, either inside or in the garden. Home-working, family, there are so many subjects.

Don’t be idle and send me your links, ideas and work.. In times of crisis it helps to talk to others … Stay Strong!

J xx

ShutterSnitch Metadata Editor – A quick look

The last two posts on mobile workflow have raised a few questions from readers on how I deal with metadata. I thought I had dealt with it in previous posts (admittedly a long while back) but re-reading them it seems I had not covered everything.

Therefore this is just a quick overview. I am actually looking at running a course or two on this mobile workflow in the UK this year in conjunction with theBPPA. If you are interested, please let me know and I will send out booking information if and when…

A quick apology for the image I have used in this post – it was all I had on the iPad at the point I outlined this post.

From our last post we are at a point where there is a collection of images in ShutterSnitch either with or without metadata in the title field.

The first issue is, where do we start with our data? Can we start with Photomechanic? The answer to this is yes we can. I export the XMP from PM into Dropbox and then on the iPAD, export the file into ShutterSnitch.

Select file in DropBox / Export / Copy to Shutter / Create a Preset

The i Icon on the top toolbar switches ShutterSnitch to the Metadata Editor.

The Metadata Editor

As shown in the above images there are a number of options along the lower screen. The left-most tool is the Preset Editor

The choices are just to select a preset or use the Edit button to edit the presets available (the usual iOS left swipe to delete) or click to edit. Hold down to duplicate an existing preset.

The blue circle tick to the right indicates wether the field is applied in the preset, so if using the title field from Lightroom this would be unticked next to the Title/Object Name. Notice the %%titleObject%% – this is a variable, much the same as the Photomechanic variables although they are named differently.

If using Photomechanic , the variables will need replacing. There are far fewer in ShutterSnitch. They may be accessed from the tool hi-lighted above. Below is a typical preset driven by the Title/Object Name field with the date automatically added also.

Note: It does not seem possible to add variables into the keywords at the moment.

Headline, Caption, Keywords and other metadata in the preset.

If driving the Title / Object Name from Lightroom, the above preset could be applied to all images when selected and a quick check as you flick through will reveal all of the fields set.

Once the preset is created, other tools are available in the editor. Quick select strings (which are field sensitive, so create them in the Title field if that is where you plan to insert them) may be created and selected.

This enables a list to be built, maybe copying and pasting from a website before the event

Use Split Screen on the iPAD to Copy/Paste into Quick Select Strings

The final options are Shortcodes.

Press and hold to edit the available lists. Creating new Sets and editing are fairly straightforward.

In use Shortcodes are slightly less usable than in Photomechanic as after entering the code (however many letters you use), the Icon (tee-shirt) needs a quick click for the software to expand the code to it’s full length. Shortcodes do, however save on spelling errors and incorrectly titled subjects.

All that is left after adding the metadata is to send using FTP or other Actions which are well covered towards the end of this post.

There are many more options are settings but hopefully this will get you moving. As always, please ask any questions in the comments to that others can also learn.

Hi my name is Julie and I’m a creative

In a world where it seems everyone wants to leave the “rat race” and become a “creative” of some kind, why does it seem so guilty to admit it?

Phone selfie

“Hi I’m Julie and I’m a photographer” – almost sounds like something that should be said at “Photographers anonymous” . Well I am and after a few months of struggling I am happy to admit it again, to myself and others.

Note: It’s often said that press photographers should not be creative but thats just rubbish, there are times to be creative and times not to be creative in this job, the key is knowing when.

I had become jaded with my work, with the situations I found myself in, with the images I created. The fact is it’s easy to blame the situation, the lack of control (in public places or arranged photocalls), the light, the kit (oh how often do we hear “if only I had xxxxxxx”) but the fact is, what we produce is never the fault of the kit, of the situation, of the lack of control.

National Youth Dance Company / Botis Seva perform MADHEAD during a Photocall at Sadler’s Wells. Picture by Julie Edwards/LFI/Avalon. X-T2+XF90 @ 1/100 F2

What we produce is always a product of the decisions we make given the situation we find ourselves in. They may not be the images we planned, or want but we always have a choice how we shoot something, how we approach it, our attitude and our commitment.

National Youth Dance Company / Botis Seva perform MADHEAD during a Photocall at Sadler’s Wells. Picture by Julie Edwards/LFI/Avalon. X-T2+XF35 @ 1/20 F1.4

I was recently introduced to the concept of “Hell Yeah or No”. Put simply it means 100% commitment. When presented with an opportunity, decide “Can I give this 100%?” . If not then say no! Once there, commit to the job, no matter what the situation, too controlled? poor light? bad positioning? poor location? If they are things you can control then take ownership. If not, make the best images you can.. 100%..

National Youth Dance Company / Botis Seva perform MADHEAD during a Photocall at Sadler’s Wells. Picture by Julie Edwards/LFI/Avalon. X-T2+XF56 @ 1/15 F1.2

Take the 3 dance images above. When I had the notice that this photocall was available, I checked my diary, found I was in town and had time. It was obvious that it should make nice images, I was not sure what they would be as you never know how a production is staged until you see it, all I could be sure was that the light would be “interesting”. Upon arrival it was suggested it was “a bit dark”. I had sort of surmised this before and although I did not take a tripod I did carry my 35/1.4 , 56/1.2 & 90/2.0 giving me the best chance in low light. From then on it was a case of using what I had, making the most of the light and making the most interesting images I could. Some I shot with intentional blur, some I froze the movement.

The key was though, I did not think “this is too dark”, I just committed 100% to what was in front of me. Looking back now (and listening to others) it’s obvious, if I (you) don’t commit 100% to what I (you) are shooting, how can I (you) produce the best images possible?

“Hi, I’m Julie, I’m a creative and I am always going to create the best images I can”

Cannes. A few of my favourites

I know it’s a few weeks ago now but I have finally managed to get round to adding this years Festival du Cannes images to my website.

 

Leila Conners and Leonardo DiCaprio poses at on the red carpet for Oh Mercy! on Wednesday 22 May 2019 at the 72nd Festival de Cannes, Palais des Festivals, Cannes. Pictured: Leila Conners , Leonardo DiCaprio. Editors Note: This image as been converted to monochrome. Picture by Julie Edwards/LFI/Avalon. 

 

Quentin Tarantino poses at a photocall for Once Upon a Time In… Hollywood on Wednesday 22 May 2019 at the 72nd Festival de Cannes, Palais des Festivals, Cannes. Pictured: Quentin Tarantino. Editors Note: This image as been converted to monochrome. Picture by Julie Edwards/LFI/Avalon. All usages must be credited Julie Edwards/LFI/Avalon. All usages must be credited Julie Edwards/LFI/Avalon.

 

Quentin Tarantino and Daniela Pick poses on the red carpet for Once Upon a Time In… Hollywood Premiere on Tuesday 21 May 2019 at the 72nd Festival de Cannes, Palais des Festivals, Cannes. Pictured: Quentin Tarantino , Daniela Pick. Editors Note: This image as been converted to monochrome. Picture by Julie Edwards/LFI/Avalon. All usages must be credited Julie Edwards/LFI/Avalon. All usages must be credited Julie Edwards/LFI/Avalon.

 

Elle Fanning poses on the red carpet for Once Upon a Time In… Hollywood Premiere on Tuesday 21 May 2019 at the 72nd Festival de Cannes, Palais des Festivals, Cannes. Pictured: Elle Fanning. Editors Note: This image as been converted to monochrome. Picture by Julie Edwards/LFI/Avalon. All usages must be credited Julie Edwards/LFI/Avalon. All usages must be credited Julie Edwards/LFI/Avalon.

 

Winnie Harlow poses on the red carpet for Once Upon a Time In… Hollywood Premiere on Tuesday 21 May 2019 at the 72nd Festival de Cannes, Palais des Festivals, Cannes. Pictured: Winnie Harlow.Editors Note: This image as been converted to monochrome. Picture by Julie Edwards/LFI/Avalon.

 

Aishwarya Rai waits before walking on the red carpet for La Belle Epoque ( The good times ) on Monday 20 May 2019 at the 72nd Festival de Cannes, Palais des Festivals, Cannes. Pictured: Aishwarya Rai. Editors Note: This image as been converted to monochrome. Picture by Julie Edwards/LFI/Avalon. All usages must be credited Julie Edwards/LFI/Avalon. All usages must be credited Julie Edwards/LFI/Avalon.

 

Leyna Bloom and Cast poses at a photocall for Port Authority on Sunday 19 May 2019 at the 72nd Festival de Cannes, Palais des Festivals, Cannes. Pictured: Leyna Bloom, Transgender . Picture by Julie Edwards/LFI/Avalon. All usages must be credited Julie Edwards/LFI/Avalon.

 

Nick Jonas and Priyanka Chopra poses on the red carpet for The Best Years of a Life on Saturday 18 May 2019 at the 72nd Festival de Cannes, Palais des Festivals, Cannes. Pictured: Nick Jonas , Priyanka Chopra. Editors Note: This image as been converted to monochrome. Picture by Julie Edwards/LFI/Avalon. All usages must be credited Julie Edwards/LFI/Avalon. All usages must be credited Julie Edwards/LFI/Avalon.

 

Pedro Almodovar, Penelope Cruz and Antonio Banderas poses at a photocall for Pain and Glory (Dolor y gloria ) on Saturday 18 May 2019 at the 72nd Festival de Cannes, Palais des Festivals, Cannes. Pictured: Penelope Cruz, Penélope Cruz, Antonio Banderas, Pedro Almodovar, Pedro Almodóvar. Picture by Julie Edwards/LFI/Avalon. All usages must be credited Julie Edwards/LFI/Avalon.

 

Antonio Banderas and Nicole Kimpel poses on the red carpet for Pain and Glory (Dolor y gloria ) on Friday 17 May 2019 at the 72nd Festival de Cannes, Palais des Festivals, Cannes. Pictured: Antonio Banderas, Nicole Kimpel. Editors Note: This image as been converted to monochrome. Picture by Julie Edwards/LFI/Avalon. All usages must be credited Julie Edwards/LFI/Avalon.

 

Street Life – Wednesday 15 May 2019 at the 72nd Festival de Cannes, Palais des Festivals, Cannes. Pictured: . \

 

Amber Heard poses on the red carpet for Pain and Glory (Dolor y gloria ) on Friday 17 May 2019 at the 72nd Festival de Cannes, Palais des Festivals, Cannes. Pictured: Amber Heard. Editors Note: This image as been converted to monochrome. Picture by Julie Edwards/LFI/Avalon. All usages must be credited Julie Edwards/LFI/Avalon.

 

Amber Heard poses on the red carpet for Les misérables on Wednesday 15 May 2019 at the 72nd Festival de Cannes, Palais des Festivals, Cannes. Pictured: Amber Heard. Editors Note: This image as been converted to monochrome. Picture by Julie Edwards/LFI/Avalon. All usages must be credited Julie Edwards/LFI/Avalon.

 

Head over to this gallery to view a few more of my favourite monos….

Storage

I’m going to make a confession….. I like tech… I like it when I find a new piece of technology that can improve what I deliver to my customers, that speeds up my workflow, that makes nice images or just makes my life better.

Thats not all tech though. My confession is not the liking tech (most photographers do) its that I hate one particular type of tech: Storage! Hard disks! Big, small, fast, slow, firewire, usb, thunderbolt, it does not matter, I find it boring and annoying. Why? Just look at the reasons I gave for loving tech, storage meets none of these. Its just a constant, a necessity that grows year on year, each year needing more space, each year replacing older failing drives, not actually adding value to the business, just providing something that the business cannot do without.

So what has brought on this rant? I have known I was running out of storage space for a while now and I had been trying to work out the best way forward. Then, last week, my OWC Thunderbolt 3 dock failed. Totally. A few exchanged emails and I have sent it back for exchange. A quick visit to Amazon.co.uk and I was working agin, with all 4 thunderbolt ports on my MacBook in use; Power, External SSD, DisplayPort and Ethernet/USB3 and a right mess it looked too. Every time i needed to back up the system, I had to choose which device to remove whilst I plugged in the Time Machine disk.

Back to the storage situation. Most of my storage solutions are LaCie, I like how they look and they use high quality drives internally. I know they are a “marmite” company, with as many swearing at them as those who swear by them. It was whilst browsing their site, thing about how I could expand my storage and backup that I came across the LaCie 2Big Thunderbolt 3 Dock (the name  just trips off the tongue doesn’t it). So I started to re-think my workflow and storage to see it this might be a solution.

My practice has always been, ingest into the local disk on the MacBook, edit there and when complete and delivered drag the folder(s) onto my server based “Library” disk (within Lightroom). The server then runs nightly backups making sure I have 3 copies of everything (a phrase I will never forget and I live by – if you do not have a file 3 times, you do not have it at all). The server is a Mac Mini with USB3 and Firewire connected drives, running Carbon Copy tasks each night to complete the replication. The problem with this solution is some of the jobs I work on are too large for the space on the MacBook disk, so I have to work on an external SSD which in my mind is just too messy. I have never had a large external disk attached to my main working computer, always only as an archival deice on the network.

Old Workflow

The smallest of the Lacie Dock’s features 2 x 4TB drives that can either be RAID0 (striped for speed) or RAID1 (mirrored for redundancy). It also features a daisy-chaining Thunderbolt 3 port, a DisplayPort and card readers, which would mean it could handle most of my devices whilst I was waiting for my OWC to be returned. Much googling and reading later and I came to the conclusion that maybe I could totally change my workflow and for once, invest in a storage solution that I found mildly interesting. The reviews pointed to the LaCie being extremely fast in RAID0 configuration and with 8TB in this format, it would fit my main library and leave masses of “working” space. It’s clear that the target market for this device is video editing and it is not designed as a long term storage solution (especially in RAID0) but if I am fastidious in my backup regime I am pretty sure this is a good solution.

New Workflow

So now I have a very fast Thunderbolt 3 LaCie dock as my main working disk holding the main library also. A single Carbon Copy task wakes up the MacBook overnight to mirror the data to the server with the Carbon Copy Safety Net future enabled to keep all data for 90 days, so even if I delete a file from my working working area, it should be on the server for 90 days. (unless of course I delete it before it’s backed up). The main library is also mirrored to a third disk as before. When working at home, new jobs are ingested straight into the working area on the LaCie, if out then as soon as I get home, they are moved from the MacBook internal drive onto the LaCie. Not only is it providing storage, whilst my OWC dock is being replaced, it is also connecting my MacBook to my 27″ monitor and the ethernet, meaning I am only using 2 of the 4 thunderbolt ports on the MacBook. Its much neater.

I have been running this solution for a week now and so far I am very happy: the speed of the system is great. This morning, having the main library available on a fast disk was a great boon as well: In the run up to the the 20th FrightFest this year, I have been asked to share some of my favourite photos (having covered the event as official photographer for 10 years), being able to go back to an image that is 10 years old, edit it quickly in Lightroom, bring it up to the my latest standards, then share it to social media at the same speed as if I had shot it yesterday was great. Finally a storage solution that makes me smile.

I’ll finish with that 10 year old image. With this being a blog about using Fuji X-Series, I really should not as I was not using Fuji cameras back then as they did not exist! However, the image has made be smile so here is Myleene Klass being attacked by Zombies at Frightfest 2009 (and no – the colours in this image are not as good as the colours we now get from Fuji).

Zombies attack Myleene Klass at the Film 4 Frightfest at The Empire Leicster Square

 

FPS – FUJIFILM Professional Services

This week I had the need to return one of my X-T2’s for a repair. It has been worked hard and for some reason had developed an intermittent fault where it would not turn on.

Luckily I qualify for FPS – FUJIFILM Professional Services. Logging on to the page ( https://fujifilm-connect.com/en/fps.php ) , I selected the camera from the list of my registered bodies, entered the fault and accepted the quote. After paying online the booking was confirmed.

As the repair was not too urgent, I waited for the pre-paid packaging that Fuji send out (otherwise I could have sent in urgently myself). Fuji send a pre-paid Royal Mail Special delivery bag with custom box and packing for the item being returned which just needs dropping at the post office. 2 days later the camera was back in my hands having been delivered by courier back in the custom packaging. Nice and pristine it looked too, obviously having had a good clean as well as the main circuit replaced (according to the delivery note).

I have read varying comments on the Fuji service but I have to say my experience was very positive once I understood how it worked.

FUJIFILM Professional Services is also free for all people that register two qualifying X Series cameras and three qualifying XF lenses or free for all people that register a qualifying GFX camera body and a qualifying GF lens. It’s worth taking a look at . ( here )

Assignments is back!

In my role of Social Media and Web officer for theBPPA, I have been working on the marketing and launch of our forthcoming “Assignments” exhibition, the details of which may be found below…

The exhibition of the best of British press photography returns – this time on Londons South Bank – taking over the Barge House at the OXO Tower.

The opening night is Thursday 16th May – and will run until the 19th to coincide with London Photo Week.

We are doing things slightly differently this year – full details on the website – but here are the key facts:

  • Entries open on April 1
  • Entries close April 12th
  • Pictures taken between 31st August 2017 and 14th April 2019 are eligible
  • We have increased the maximum number of pictures you can enter to 10 this year
  • There is a £10 registration fee to help us pay for everything
  • There is NO framing fee this year – our friends at Canon and Fixation are very kindly picking up the bill for us!
  • We will be doing the “catalogue” and the “contact sheet” again
  • (every image entered makes the contact sheet – so you can choose your own favourites)
  • Everyone who enters gets a pair of invites to the opening night party!
  • The exhibition is open to BPPA members – but if you have lapsed or haven’t got round to joining you can do so now

Check out the Assignments website for the full rules and details of how to enter: https://assignments.thebppa.com