IPad Workflow (Again!) – IOS11 & ShutterSnitch

It’s been a while since my last iPad (Pro) workflow post and I thought it was time to share how it’s changed and how I have moved on.

This time last year I posted how I was using the iPad for all of my editing, captioning and sending from out on location, I detailed how well it was working at Cannes 2017. Then something changed. Specifically IOS11 came along.

IOS 11 was touted as the great update that will make the iPad a real contender for replacing the laptop (which I had already done), it would make running multiple programs easier, moving information from one app to another would be easy. Yep – this was the “update we were waiting for”. So in September/ October last year I installed it… and the crashes started… I assumed it was Lightroom not updated for 11 so I waited for an update.. then I assumed that maybe IOS11 did not like my SD reader so I got the new and latest. Still it crashed, still it would not read JPG images off of the SD card.

Finally I gave in and went back to an Apple Store “Genius”, showed them the crashing. They got out a brand new empty iPAD Pro with IOS11. Again crashed reading the JPG’s. Dug around and found an iPAD in stock with IOS10 installed. Bingo, 900 JPG images imported no problem. Back to IOS11 – crash! SO they replaced my iPAD with the “new” one running IOS10.

This replacement worked for a couple of days, until it decided not to allow me to connect to the mobile network unless I updated to IOS11 – It seems once your account has updated to the latest OS there is no way back.

So here I was, left with a £900.00, powerful, fantastic device that would not pull more than 156 Fuji JPG images from an SD card.

The problem was reported to Apple back in November 2017. If you want my support case number, it’s 100365002050 its been open since then. My support engineer (yes I have an assigned engineer at apple), whom I contact after every update to let him know that I have tested it again and its still not fixed. No still not fixed after Apple have logged in and connected to my iPad 3 times. They have had the files that I am trying to import, the crash dump files from my iPAD, a video showing the crash. They have acknowledged the problem, my engineer is very pleasant but the bottom line is 6 months later and my iPAD will still only import 156 JPG images from an SD card (RAW / RAF files are fine).

My iPad is not totally useless though, I did write this on it. Actually its not that bad – I still use it when traveling for non-urgent work where I would work in RAW and I also use it for smaller news jobs where I will be importing less than 150 images or where I will be using WiFi to transfer the images.

ShutterSnitch is still my main stay here. With this simple switch to enable the Fuji WiFi on the app, I can either connect as normal and transfer selected images or I can wirelessly tether to the iPad and transfer every jpg as it’s taken.

The images import into a collection where I can edit them using the recent in-app-purchase of image adjustment to do basic crops and corrections.

I can apply a metadata preset and edit meta data using the Metadata Editor in-app-purchase

Before exporting via FTP or Dropbox to wherever I need them.

ShutterSnitch has come a long way over the past few months meaning for live news work, it is now a one-stop-shop. (So I no longer have to work with the unsupported PicturePro) .

I am more than happy to do a detailed review and technical post on ShutterSnitch if anyone is interested – let me know if you do!

As I am just finishing this post, Adobe Lightroom Mobile has just been updated, my initial look indicates its almost there in terms of capabilities now – cloning and custom presets are supported! I’ll look at this in a future post also. Let me know what you would like to know about first!

I look forward to your comments.

Julie x

HSS – The Godox TT685F & PocketWizards

As is my morning ritual (especially at the weekend) I headed down to the beach for 10 minutes peace before the day starts proper.

Normally I take with me an X-T camera of some description and a sketch pad – quite often I use the sketch pad and not the camera. This morning being bright and sunny I thought I would take the opportunity to see how the new Godox (On camera)  TT685F would work in conjunction with PocketWizards for remote camera use at Red Carpet Events.

My PocketWizards are a set of Plus3‘s which connect into the X-T2 via the Mic-In socket. This necessitates a 3.5mm to 2.5mm lead (using Younogo’s a 2.5mm-2.5mm lead is the requirement) .When first connecting the cable into the camera it prompts you to ensure the socket is set to the correct use – Remote Control or Microphone. (Edit: To clarify – this is to trigger the camera remotely and nothing to do with the triggering of the flash unit). The next key step is to pre-focus and set the camera to manual focus as it would not fire when set to either of the AF modes (I have not noticed this before when shooting interiors, however most of the time I am bracketing & pre-focusing on manual to ensure the focus does not change between brackets for the HDR merge).

Once this was working ok I fitted the Godox to the camera and had a play. This is not a particularly flattering image but it does demonstrate why HSS (High Speed Flash Sync) is such an important tool.

Self Portrait at Worthing, UK, 19/08/2017 : Julie Edwards. Picture by Julie Edwards

The key things to remember when shooting outdoors with flash are –

  • Shutter Speed only affects the ambient light (sun / surroundings)
  • Aperture affects ambient & flash brightness
  • ISO affects ambient & flash brightness

Therefore, shooting into bright sun I was able to balance the ambient (sun and background) by raising the shutter speed to 1/1250, setting the aperture and ISO to suit the flash output (in this case TTL output for laziness but probably near or at full output).

So.. The key is Shutter Speed! Actually no, I stand by the T-Shirt, the key IS motivation!

Have a great weekend!

Hyde Park in Classic Chrome

Since upgrading to the X-T2’s my X-T1 has become my standard “walk around” or “sanity” camera with the 35/1.4 fitted (as I also sold on my X100).

Most of the time my walk-around’s are set to Monochrome as I still really love the way it cuts straight through to the essence of a scene, letting the light and composition “speak”. I feel you really have to nail these two aspects to make a Black and White image really work but it’s clear from comments that quite a few [fellow press photographers] feel that its an “easy way out” or a way to disguise shortcomings in a colour image. So recently I have switched my walk-around to colour, well I say colour, sort of colour – the Fuji Classic Chrome film simulation. When this film simulation was first added to the cameras a few years back it was really overused but now the Acros simulation has been added and Chrome being a few years old, it’s over use has diminished.

As always my “walk-arounds” are set up to shoot JPG Fine only and I have also set both the Hi-lights and Shadows to +2 for a really contrasty look. Set this way the shadows do really block up a lot but I kind of like the look.

One of the places I shoot often is Hyde Park as I walk through. Today the mixture of clouds and strong light pushed the contrast further. The images were downloaded through ShutterSnitch over WiFi and edited on the iPADPro in Lightroom Mobile where I mainly pushed the curves further, added clarity and a vignette.

 

The formation of the blue boats in relation to the tower block, along with the dark trees and contrasty sky took my eye here.

 

Here I pushed the sky a little further with a graduated filter in LR but again I really like the layers and mood of this with the boat contrasting against the cafe which contrasts against the trees and sky.

 

Diagonals and Contrast. Its like a Monochrome image – but its not!

 

This tunnel always reminds me of the “Death Wish” series of films with Charles Bronson (filmed in Central Park, NYC).

 

Running in and out of the shadows.

Having an X-T1 as a walk around is kind of nice – now all of my cameras are basically the same format with mostly the same controls and handling, but being able to change what comes out of them in terms of images is really powerful aspect of the Fuji system. Why not give it a go next time you go for a wander?

Happy accident with the 100-400

With a few “long distance” jobs coming up in the next few weeks I thought it was time to purchase the XF100-400, I added the 1.4TC as the saving is reasonable and you never know when it might come in handy (as it works well with the 50-140 as my previous post proved).

As when I last used the 100-400 I did not have the converter I thought, despite the poor weather and light I would take the pair down to the beach and see what they made of the wind-farm that is sprouting off of the Sussex coast.

I took this image at the full 840mm 35mm Equivalent reach (ISO 800, 1/450th and F8 on an X-T2) because I liked the contrast between the old torn stark fisherman’s marker flags and the modern windmills softened by the atmosphere and weather. As I processed the from RAW (pushing the Velvia simulation to extreme) I noticed a dark patch in front of the windfarm.

Zooming in at 1:1 I saw this..

Im not sure how far out the Dolphin was (please don’t correct me on type / species etc, I understand I am probably wrong) but I was unable to see it by eye and although not a very technical test, given the conditions (it was blowing a gale, I was hand holding etc ) I am pretty impressed.

Ill follow up with more considered thoughts later.

X-T2 : Finally!

I sort of stopped writing this blog a while back, the X-T2 was released and I was in a “no kit investment year” (I run my kit spending cyclicly where I have a year of investment, then a year where it all has to pay for itself before I invest again). Once the X-T2 was out I kind of realised that nobody really wanted to read about my using the older cameras so I put the blog on hold. (If thats not the case, let me know!).

Now we are into a new year, an investment year, and the first of those investments has just arrived following a good deal from Calumet‘s Jamie (and the help of a friend – Mike). I have added an X-T2 plus grip and a lovely Millican bag (that I will use for wandering with a single camera).

This morning I went for a wander, adding a 16-55/2.8 and the old 55-200/4.8. This was not really a test, more a “lets get to find out a little bit about you”. I’m a sucker for monochrome as you probably know so I set it to JPG and ACROS simulation. Heres a cross-section of images – mostly straight out of the camera, just cropped (unless I specify otherwise in the caption).

X-T2 Walk around test at Worthing, UK, 01/04/2017. 16-55, blacks pulled down slightly. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017. 16-55 , shadow and hi-light pushed in camera, SOOC. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017.16-55 clarity +4. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017. 55-200, Shadows lifted and whites pulled up. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017.01/04/2017. 55-200, Whites pulled up. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017.01/04/2017. 55-200, Shadows lifted and whites pulled up. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017.01/04/2017. 55-200, Levels adjusted, slight clarity. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017.01/04/2017. 55-200, Levels adjusted, slight clarity. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017. 55-200, Levels adjusted, slight clarity. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017. 55-200, Levels adjusted, slight clarity, curve adjustment. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017. 55-200, Hi-lights and exposure recovery. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017.55-200, Levels adjusted, medium clarity. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017.55-200, Levels adjusted, slight clarity. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017. Picture by Julie Edwards

 

There is nothing groundbreaking in these shots but they were all testing aspects of the kit and helping me get used to the new controls layout. I used the 55-200 because I wanted to see if the new AF made this lens more useful – it does, it kept up with the birds better than my pre-coffee panning technique. I am pleased with the ACROS simulation and how it handles edits (to the hi-lights and shadows). This afternoon I will use it on a proper job but for now I can sum up my likes and dislikes:

Likes:

  • Focusing – the tracking is far better.
  • Joystick – moving the focus points is a breeze
  • Landscape / Portrait AF pattern – having different points selected in the 2 camera orientations is brilliant (Firmware 2.0)
  • Speed – A far more responsive camera
  • ISO adjustment on the front command dial
  • ACROS

Dislikes:

  • Back button focussing – my Tracking / Single shot trick (see this article) no longer works, BBF is less useful

So thats overwhelmingly positive then!

Now I have current kit, I will be writing a lot more again so make sure you head back. More thoughts to follow (and you can expect posts on the 150-400 soon also). Thank you for visiting.

BAFTA’s 2017 – A monochrome slide show

Last Sunday (the 12th) was my annual trip to photograph the stars arriving for the British Academy Film Awards which, this year, took place at The Royal Albert Hall. As usual I was shooting on on Fujifilm X-Series, mostly the X-T1 and 50-140 with some on the 56mm mounted on a second X-t1. The wide images are using the 14mm mounted on an X-Pro1.

One interesting fact is that despite shooting over 1700 images on the 2 X-T1’s, I only changed the battery once in each camera (and the 50-140 body shot way more than the 56 body). In very cold weather, thats not too bad

Normally I would post a series of images here but I think its just easier to pass you over to my main side and a slideshow.

Back on the Red Carpet

Last night I was back on the red carpet for the Fifty Shades Darker UK Premiere at ODEON Leicester Square.

Julie Edwards Photography: Fifty Shades Darker UK Premiere at ODEON Leicester Square on 09/02/2017 &emdash; Jamie Dornan

All shot with Fuji X-T1 mostly with the 50-140/2.8 but the wides were with the 16-55/2.8

 

Here is a  small showcase  of images:  http://www.julieedwardsphotography.co.uk/fiftyshadesdarkeruk