Time Out

It’s Saturday morning and I am on the train to London. This weekend in the BAFTA’s and I will be covering the nominees party tonight before heading over to the Royal Albert Hall for the main event Sunday.

It was with this in mind that at the end of Wednesday I headed over to Eastbourne and Hastings for 2 days “off the grid” (ok, I’ll be honest I looked at my emails twice because I have an important meeting Monday and I needed to confirm the time. I also answered one phone call yesterday about today’s job). I did not look at any social media, thats no Facebook, no Twitter, no LinkedIn, no blogging and no news. For someone who’s social media is a big part of their work, this is, to be honest, quite difficult but I did manage it. (This morning’s catch up was quite intense though!).

I spent the Thursday exploring Hastings, a town I have only really passed through. My plan was to visit the Jerwood Gallery and the Old Town and then spend some time painting (how I relax – see @artyfartyedwards on instagram). To ensure I did not take a work attitude to the photography, I took an old X-T1 with a 27mm Pancake set to extreme Black and White (thats with a Yellow Filter film simulation and +2 on the lights and shadows).

With Storm Erik in full force, the waves were stunning, I guess the shape and position of Hastings explains why the waves here were more impressive than my home town of Worthing.

The aim of the photography was just to please me. I feel that we professional photographers often get so lost in the business of photography, the commercial aspects of the image, practicing techniques to use professionally that we often forget to take time and shot just to please ourselves.

The fishing boats are a very common subject for photos in the town, its easy to see why, there are pictures every which way you look.

Of course with so much fish around, you can expect gulls and here I did switch to the one other lens I brought with me, the 35/1.4. It’s been around for quite a while but it is a favourite of mine despite being slow to focus.

The storm clouds of course do not only bring “poor weather” they can also be responsible for funnelling the light, particularly at either end of the day.

I think these images show that chasing the latest technology, the latest gizmo is not the best way to get lovely emotional images. Taking time, settling into the location, taking it slow, not worrying about what is going on elsewhere and in fact focusing 100% on whats in front of you is far more important!

I have a confession to make though. I spent a while on the beach photographing the waves. I could see what I was capturing and was loving it, in my head I was visualising how a set of these images could be printed and presented and for the first time ever, I had a yearning to be shooting on the medium format GFX (yes despite all I said above!).

So as I walked back to the car in the afternoon light after a relaxing day looking at paintings and creating photos just because…. this little thought raised it’s head… “you really do need to try the GFX you know” … “nothing to do with business you understand.. just because“..

P.s. The thought did not last long… I spent the next day painting and not worrying about the business of photography.

P.p.s. I will try the GFX once I get a suitable moment… maybe on my next time out off the grid…

X-T2 : Finally!

I sort of stopped writing this blog a while back, the X-T2 was released and I was in a “no kit investment year” (I run my kit spending cyclicly where I have a year of investment, then a year where it all has to pay for itself before I invest again). Once the X-T2 was out I kind of realised that nobody really wanted to read about my using the older cameras so I put the blog on hold. (If thats not the case, let me know!).

Now we are into a new year, an investment year, and the first of those investments has just arrived following a good deal from Calumet‘s Jamie (and the help of a friend – Mike). I have added an X-T2 plus grip and a lovely Millican bag (that I will use for wandering with a single camera).

This morning I went for a wander, adding a 16-55/2.8 and the old 55-200/4.8. This was not really a test, more a “lets get to find out a little bit about you”. I’m a sucker for monochrome as you probably know so I set it to JPG and ACROS simulation. Heres a cross-section of images – mostly straight out of the camera, just cropped (unless I specify otherwise in the caption).

X-T2 Walk around test at Worthing, UK, 01/04/2017. 16-55, blacks pulled down slightly. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017. 16-55 , shadow and hi-light pushed in camera, SOOC. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017.16-55 clarity +4. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017. 55-200, Shadows lifted and whites pulled up. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017.01/04/2017. 55-200, Whites pulled up. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017.01/04/2017. 55-200, Shadows lifted and whites pulled up. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017.01/04/2017. 55-200, Levels adjusted, slight clarity. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017.01/04/2017. 55-200, Levels adjusted, slight clarity. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017. 55-200, Levels adjusted, slight clarity. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017. 55-200, Levels adjusted, slight clarity, curve adjustment. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017. 55-200, Hi-lights and exposure recovery. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017.55-200, Levels adjusted, medium clarity. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017.55-200, Levels adjusted, slight clarity. Picture by Julie Edwards

 

X-T2 Walk around test at Worthing, UK, 01/04/2017. Picture by Julie Edwards

 

There is nothing groundbreaking in these shots but they were all testing aspects of the kit and helping me get used to the new controls layout. I used the 55-200 because I wanted to see if the new AF made this lens more useful – it does, it kept up with the birds better than my pre-coffee panning technique. I am pleased with the ACROS simulation and how it handles edits (to the hi-lights and shadows). This afternoon I will use it on a proper job but for now I can sum up my likes and dislikes:

Likes:

  • Focusing – the tracking is far better.
  • Joystick – moving the focus points is a breeze
  • Landscape / Portrait AF pattern – having different points selected in the 2 camera orientations is brilliant (Firmware 2.0)
  • Speed – A far more responsive camera
  • ISO adjustment on the front command dial
  • ACROS

Dislikes:

  • Back button focussing – my Tracking / Single shot trick (see this article) no longer works, BBF is less useful

So thats overwhelmingly positive then!

Now I have current kit, I will be writing a lot more again so make sure you head back. More thoughts to follow (and you can expect posts on the 150-400 soon also). Thank you for visiting.

X100

Fuji  have brought out a new version of the first Fuji camera I brought – the X100F. The Mk1 was the camera that started me on this journey from big DSLR’s to mirrorless  and so I’m torn.

This morning I went for a wander, and reminded myself how much I just love this little camera, going back to basics just like shooting with a ‘trip or such like as I did as a teenager.

 

I’m not sure if I can build  business case for the new little un or not….