This event is held on the Beach (Car Park) at Santa Monica in an open sided tent.
The locals were very much about “It’s so cold” , “make sure you wear layers” etc. Having come from Berlin the week before and the BAFTA’s before that, I have to say, it might have been cold for L.A. but cold? Not really!
As I was shooting for clients mostly, I decided to shoot fairly straight up and down, choosing the 16-80mm & 50-140mm on the X-H2s and X-T3 respectively.
As usual, the images were edited in Lightroom Mobile and sent from a Cafe Santa Monica via Shuttersnitch (See the software page for links).
Here are a few of the images (with a couple of Oscar winners amongst them) ….
Attendees of the event included Jamie Lee Curtis, Jessie Buckley, Jodie Turner-Smith, Cate Blanchett and Ke Huy Quan
It was nice to see this image of Cate and Michelle used in the UK press the next day.
I had neglected this blog for so long but now I am getting in the habit of writing again it’s nice to see how you guys are returning to reading here. I mean what I say when I ask for comment, feedback or if there is any subject you would like me to cover – please comment 👇👇
So much of my writing on here has been about my iPad workflow and software (apps). This is a very quick post about my latest additions to my iPad and they are actually not apps!
Since I got the M1 based iPad Pro I had been using a Gold and Cherry keyboard along with my older series 1 Magic Mouse. The keys on the Gold and Cherry were quite good (I would say on a par with most apple keyboards) but the trackpad had a few annoying issues which swapped apps or called up the task window if scrolling near the top of the pad.
I would go so far as saying this is the best keyboard that i have used on any apple based device – be that a desktop, laptop or iPad. The keys have a lovely tactile surface and a really good amount of travel. The trackpad is large and very smooth.
The keyboard starts up he connects to the iPad almost instantly (unlike the gold and cherry) and with Face ID enabled the iPad unlocks as soon as the home key is pressed.
Tap-to-click settings
Being made of Aluminium the keyboard adds a lot of weight to the iPad but it does mean it is more balanced on the lap or table when in use.
The trackpad is a lovely size, smooth and with tap to click enabled, a joy to use with many of the iPad gestures available on the pad. The only issue I have suffered so far is my palm moving the cursor once or twice as I typed, but then I used to suffer that on my Macbook Pro when I first got it also.
I have mentioned the Magic Mouse 2 here as this also offers improvements with the iPad over the Magic Mouse 1. Firstly it is smoother but most importantly, the scroll function of the mouse works (which it does not on the series 1).
Looking at the image above it takes a double take to see that this is an iPad and not a laptop. With it set up this way it begs the question “why stick with the less functional iPad over a Macbook, say a Macbook Air?”
Well, first of all I like the simplicity – I am less likely to go down a “rabbit hole” playing with different softwares and configurations.
Secondly, I like the versatility – on a train or in another tight space I can lift the iPad off of the keyboard and work with just a mouse.
Thirdly, the apps (software) are getting more and more versatile and powerful every day. Working with Photoshop (which is developing rapidly) using the Apple Pencil directly on the image is a joy. I also use affinity Photo and Publisher in this way.
Finally, it is just a lot less fiddly. My iPad is on a contract, I get upgrades, it’s on a mobile network 24/7 meaning I can send directly from it without worrying about tethering and cables etc.
With the M1 chip, high speed thunderbolt connection & direct internet its just a great platform when on the road.
I’m a bit slow to do this update but having a little time free on this trip before I fly home I thought I would update all the cameras I have with me.
I found this video about the AI technology (updates) in the X-H2s quite fascinating.
TBH in the next few months I will want to upgrade a second X-T3, it was going to be an X-H2 (not s) so I had a more versatility but I am now no longer sure as I love the speed of the s version. I can just expand my GFX kit to allow me to shoot more on the street & landscapes (as I have done on this trip).
I have been struggling for a couple of days deciding when to publish this post. I have the feeling that some may think I did this essay because I was feeling a little aggrieved that I was not covering the Academy Awards this year but the truth is I wanted to do this essay when I was last here in 2020 (but I did not have time). There was also the issue of not waiting too long as there would no longer be any relevance, so here it is…(a few days after being sent to press outlets)…
The story of the homeless in the area has been covered by so many in the USA and the UK and I really did not want to produce more “poverty porn”. However one of the effects of the Oscars is that it compresses the extremes of life, the richest and the poorest within a couple of blocks of Hollywood.
On Hollywood Boulevard, Hollywood, Los Angeles, CA on the 1st March 2023, 12 days before the 95th Academy Awards will be presented in a ceremony held by the Academy of Motion Picture Arts and Sciences at the Dolby Theatre in Hollywood, lanes the boulevard have been closed and work has started on the “build”for the Red Carpet event.
While the eyes of the world are trained on the red carpet event, scattered around the neighbourhood, some just a few hundred metres away from the event, many homeless people are living in tents on the sidewalk.
These tents were photographed on the 6th March 2023, 6 days before the awards, on the junction of Las Palmas Ave and Selma, Hollywood, Los Angeles, CA.
The problem of homelessness in Hollywood, Los Angeles, CA has been around for many years. In 2019, LA Sanitation and Environment (LASAN) launched the Comprehensive Cleaning and Rapid Engagement (CARE/CARE+) program including the Mobile Hygiene Program which provides restrooms and showers for unsheltered Angelenos.
Each client is provided with hygiene products, clean towels, and a clean change of clothes. Additionally, clients receive a hygiene kit with essentials that they can keep with them. Since inception, the MHU program has serviced more than 23,000 guests. This MHU was photographed on the junction of Las Palmas Ave and Selma, Hollywood, Los Angeles, CA on the 6th March 2023, close to the tents pictured above
As the red carpet event “build” continues, further lanes of Hollywood Boulevard are closed off running a few blocks along from the event venue, the Dolby Theatre, Hollywood, Los Angeles, CA and the security is increased as seen on the 6th March 2023.
6th March 2023: North Highland, Hollywood, Los Angeles, CA. Meanwhile, further down N. Highland Avenue, the canvas homes are overlooked by the 95th Oscars signage.
7th March 2023: Vine Street, Hollywood, Los Angeles, CA. The problem is spread across the Hollywood neighbourhood, this small tent being pitched on Vine.
7th March 2023: Sunset Boulevard, Hollywood, Los Angeles, CA. The tents are also highly visible on the famous Sunset Boulevard, a few blocks from the Academy Awards Venue.
7th March 2023: Hollywood Boulevard, Hollywood, Los Angeles, CA. During the day, many (homeless??) may be seen wandering the streets sorting through the litter (trash cans).
7th March 2023: Sunset Boulevard, Hollywood, Los Angeles, CA. During the day, many (homeless??) may be seen wandering the streets of Hollywood, Los Angeles, CA, carrying blankets.
All Images & Text by Julie Edwards.
The images were produced over the span of a week, shot on a mixture of the Fuji GFX50R, the X-H2s (with 16-80) and one on the iPhone13.
So, not my normal kind of post but one I hope resonates with you. Until the next post… let me know what you think….
My last post was written whilst in a cold and snowy Berlin. This post is written from a cold and rainy Los Angeles (I missed the snow by a few days… yes really … snow in Hollywoodland! )
I am here for a few jobs and then a little bit of a rest time for myself and a bit of art before returning home. So I guess the next post will be about Red (Blue) carpet’s on the beach, but until then, back to Berlin (a city and event I really love).
Dame Helen Mirren on the Golda Red carpet inside the Berlinale Plast shot on the X-HS2 with the 16-80mm & V1 flash.
So “Crossing the streams” right away and posting a colour image immediately followed by a black and white (I use that phrase as I am sitting below a Ghostbusters poster as i write, but I digress).
Dame Helen Mirren on the Golda Red carpet inside the Berlinale Plast shot on the X-HS2 with the 16-80mm & “catch flash”
Usually I set up with 2 cameras – one with flash, one without, one for full lengths and wides and the other for tight portraits. However after a little discussion and thought, I decided I would not bring the 100-400 with me, choosing the 50-140 as my longest lens on the trip. All the full lengths are being handled by the 16-80 (an often overlooked lens) – far lighter than the 16-55 with a very useful range for this kind of work.
Much of the time in Berlin I only set up a single camera; for all of the photocalls I used the 50-140 with which I could shoot single full lengths and headshots, for the red carpets, the 16-80, sometimes adding the 90/F2 if. I wanted a shot of the “talent” walking up the carpet.
This meant my usual plan of using flash on one camera and aiming to catch other peoples flash with the other was out of the window and so as you can see with the two shots above I choose to flip between these “modes” on the H2S by turning the flash on and off, slowing the shutter speed to help catch any possible flashes. It was a bit more hit and miss but there were enough hits….
Simon Baker shot on the X-H2S/50-140
At the photocalls, (above), it is easier to work this way with a single camera than on the carpet as the lighting is so good, a flash is not needed, leaving very few changes to the settings needing to be made as I shoot.
Steven Spielberg and Kate Capshaw Red carpet inside the Berlinale Plast shot on the X-HS2 with the 16-80mm (with flash)
Leaving the 100-400 at home meant I only brought 2 X-series bodies with me (I usually travel with 3) so I had space the pack the GFX50R as my “walk around” camera. I may have mentioned before how I love the tones and graduations this camera offers.
Inside the Neue Wache shot on the GFX50R with 63mm
The final image, taken on my final day in Berlin on this trip was taken inside the Neue Wache, a place I could spend hours inside, in silence. I find it incredibly moving and peaceful at the same time. I had been sitting in the corner for quite a while, almost in a meditative state with the camera on the floor just waiting for the feeling to be right to release the shutter. A couple walked in, both wearing red. They waked to the “Mother with dead son” work, paused for a short while then turned and headed back out. The red contrast felt right so I released the shutter with a resounding “thunk” the woman paused, turned and cocked her head, mirroring the mother, obviously noticing me for the first time.. “thunk” again… and thank you…. (1/100th @ F2.8 / 400ISO)
I have always said the key to photography is not kit, it is not speed, it is about waiting, understanding and sensing.. Make the right choices and wait.. If you take the time there are images everywhere.
(She says using a medium format digital camera that is out of many peoples pockets).
And on that note… time to wait… again.. for the next post 😉
Happy shooting and please let me know what you think. J x
A very quick post with a few images of the BAFTAS – why? Because I was told today by a follower (a fellow photographer in Berlin) that I am not writing enough……..
(I am writing this from the Berlin Film festival looking forward to photographing Cate Blanchett on the red Carpet tonight)
For me the BAFTAs this year were the start of a long trip away, with a number of different jobs that have very different requirements… so I spent Saturday away from my studio packing, then unpacking and re-packing..
Packing for Travels. Smart clothes, not so smart clothes, X-H2S, X-T3, GFX50R, iPad., yoga mat.. & plugs…. Lots and lots of power outlet adaptors
So this trip covers 3 countries on 2 continents, which of course means 3 different power outlets.. UK, Euro and US.. Why can’t the world agree on a format for power sockets?? Sometimes I feel half my case is taken up with leads and adaptors to enable me to charge my kit…
However, I digress. Space at this years (new venue) BAFTA awards was in short supply and unlike in the past where the distance has required the 50-140mm plus the 100-400mm, this year I worked mostly with the 16-80mm/F4 (on the X-H2S) and the 90mm/F2 on a X-T3 with the main target being full length / fashion images.
A selection shot with the 16-80mm/F4 and X-H2S
The light was fine and with the clean backdrop (better than previous years) it made for nice, clean, if not a little boring, images.
I used the 90mm to try and get a little atmosphere (having positioned myself so that this would hopefully be possible). Unfortunately the set-up made this a little more tricky than in previous years with less of the queue visible. I did manage a few …
X-T3 / 90mm @ F2
After the arrivals, it was off to the winners photo-call area, again with less space than previous years and my position was not great, I stuck to my original plan of staying tight, shooting on the 50-140 on the X-H2S
X-H2S / 50-140mm
In the last week (and not having time to have it looked at before I traveled), my 50-140 has started “hunting” when in AF-C on the X-H2S / Face tracking. It’s still way better than it would be on an X-T3 however it is a little annoying – all other lenses on this body are fine so as soo as I return it will be off to the service dept I think.
I have a few more days here before moving on to my next destination and set of jobs. Ill post about Berlin from there…
Not a great title for a post, but then I am not sure this post is worthy of a great title….
I hope you have had a lovely Christmas break which involved some form or photographic loveliness. Mine was particularly lazy but did involve a photographic book I can’t recommend strongly enough. Not because it teaches about technique or informs about photography in any way that will be helpful in your everyday “snapping”. No because it has astonishing imagery the like of which we have not seen nor will be able to reproduce…..
In a frozen vault in Houston sits the original NASA photographic film of the Apollo missions. For half a century, almost every image of the Moon landings publicly available was produced from a lower-quality copy of these originals.
Now we can view them as never before. Expert image restorer Andy Saunders has taken newly available digital scans and, applying pain-staking care and cutting-edge enhancement techniques, he has created the highest quality Apollo photographs ever produced. Never-before-seen spacewalks and crystal-clear portraits of astronauts in their spacecraft, along with startling new visions of the Earth and the Moon, offer astounding new insight into one of our greatest endeavours.
The quality is astonishing…
The posts about the Queens Funeral Events and the updated workflow posts were meant to be me kickstarting writing (for the umpteenth time). It did not really happen. I hope to write a little more in the new year but I’m not promising of stressing (although I do have more new kit to discuss!)
But back to the (err umm) title of this post. Today (the 27th) was my first time out of the house since Christmas Eve. I shot some monochrome images (Acros simulation) on an X-T3 with the 35mm 1.4 whilst wandering on the seafront.
WanderingA “premiere seaside attraction”. (The Lido is not so wonderful in the winter).A “premiere seaside attraction”. (The Lido is not so wonderful in the winter).A “premiere seaside attraction”. (The Lido is not so wonderful in the winter).A “premiere seaside attraction”. (The Lido is not so wonderful in the winter).Sheltering from the wind
Much like the day on The Mall, the day of the funeral was another early start having stayed in the city overnight so I could get to the Queen Victoria Memorial (opposite Buckingham Palace) at 7am (ish). Then followed a another (less) long wait for the event to unfold.
Being a photographer is not about just waiting for the event to start, it’s about being aware of all that is happening around you. I noticed a young girl quite a way down the Mall stroking a white police horse, taking the image below on the 150-600. I posted the image on instagram and a few days later, received a message.
“The horse is called Verdun, his stable name is Dave, he is stabled at Bow Road Stables and came to the met after he was fired by the army for being naughty! As you can see he much prefers being a police horse!
I work at bow , all the officers at bow and I have admired your photo , I just thought you would like some background”
I cannot help thinking this is the same horse that I photographed on the first day outside the palace and who I posted in the first post.
X-HS2 & 150-600 @ 500mm F7.1 / 320th
There were 2 sets of photographers on the QVM. One set to photograph the procession coming down The Mall towards the palace and another (where I was positioned) to record the late majesty Queen Elizabeth passing the palace for the last time.
During the morning, the guards positioned themselves and the palace staff created a line in front of the palace to pay their respects one last time.
X-T3 & 50-140 @ F2.8 / 640th
Of course I took any images of the procession but the one we were really here to capture was the coffin passing the palace for the last time as The kings troop lowered their standard in front of the palace
X-T3 & 16-55 @ F5.6 / 640th
X-HS2 & 150-600 @ 420mm F7.1 / 640th
And of course the wide view..
X-T3 & 16-55 @ F5.6 / 640th
My overriding memory of the day is the haunting silence. I have been in London for 1 minute silences before (for example remembrance day) but the 2 minute silence that morning really was silent, I’m not sure I’ll ever experience that in the centre of London again, even the birds seemed silent.
This last post in the series is a little late – I managed to write the others whilst away working but my last week of work – at the Conservative Party conference was just a bit to manic to sit down and write. The next post will go into those two weeks and the using the 150-600 a little more.
I end with my last view of the late HM Queen as her coffin left my view…..
The last post left me at about 3:30 on The Mall having got there early on the Wednesday morning.
After filing my images and managing to get a dinner with friends in Soho, I headed to Westminster Hall where I had a 30 minute slot to photograph the late Queen laying in state at 21:30.
Luckily before dinner I was able to store some of the kit I was carrying in a secure location so again, I needed to plan what images I wanted to make. Many of the National papers and major agencies had earlier time slots which enabled me to see what they had filed. As expected most had focused quite tightly on the coffin, guards and visitors (there is an saying in the press photography world “Tight, Bright and Shi……” .
The Westminster Hall, where the late Queen was laying is the oldest part of the parliamentary estate and having walked through it many times I had an idea of its grandeur and size. I headed back with the 35/1.4 mounted on the X-H2S and the Laowa Ultra wide on the GFX50R.
The sensor on the GFX50 has an enormous dynamic range and shooting in RAW on that camera gave me the best chance of getting detail in the rafter shadows as well as the colours of the Royal Standard & Yeoman Warders.
Stopping the lens down a bit and reducing the ISO enhanced this enabled me to slow the shutter and blur the members of the public giving them a ghostly appearance.
GFX50R / LAOWA17 @ 4.5Secs exposure
Stopping this lens down a bit also does give nice a nice star points.
With the H-2S i focused on the details like the changing of the guard.
X-H2S & 35/1.4 @ ISO 1000X-H2S & 35/1.4 @ ISO 1000
The final post in this series will be later in the week when I focus on the day of the funeral. As always I would love to hear your comments and questions.
Wednesday 14th was the day of the ceremonial procession from Buckingham Palace to Westminster Hall where her late majesty would lay in state until the funeral.
I was allocated an elevated “rota” position on The Mall . The procession was due to start at 2:30pm but having checked out the position the day before, I wanted to ensure that I had the forward corner position to enable me to shoot the approaching procession so after waiting for a pret to open for my breakfast, I arrived at the position slightly after 7:35. Yet again a long wait ensued.
My position (iPhone)
The above image shows my position. An hour or two before the procession I set up a GFX50R with the Laowa 17mm, clamping it to the scaffolding to be triggered by a pocket wizard setup to get a wide image of the procession. The difficulty then is to ignore the camera and not keep fiddling / testing / adjusting it all the time up to till its needed.
GFX50R / 17mm @F5.6 ISO 320
The GFX was being triggered by either the HS2 or TX3 which I would be shooting in a burst mode, however the GFX would only fire on the first shutter press. To get rou5nd that and get a burst from the GFX I set it up in a bracketing mode (shutterspeed) at +/- third of a stop which got be 5 frames per burst.
GFX50R / 17mm @F5.6 ISO 320
Alongside the GFX I had two other cameras set up: The X-H2S with the 150-600 plus an X-T3 with 50-140 (both triggering the GFX).
X-H2S / 150-600 (at 730mm Equiv) F7.1 1/500th
As the procession moved down the Mall I started with the longer of the cameras, trying to pick smaller frames and members of the royal family from the scene.
X-H2S / 150-600 (at 458mm Equiv) F6.4 1/500th
Shooting with a fixed shutter speed and a changing aperture (due to the zoom), the ISO was reducing as the procession moved closer. These three images give an idea of the flexibility and aperture changing.
X-H2S / 150-600 (at 225mm Equiv) F5.6 1/500th
Once the procession got to this point it was a quick switch to the X-T3.
Then back to the X-H2S for the final image(s) as her late Majesty moved away.
X-H2S / 150-600 (at 900mm Equiv) F8 1/500th
Once out of view it was sit down, edit the images (on the iPad following the workflow I have outlined previously), with pre-set metadata in ShutterSnitch, waiting for the public to disperse so I actually had a strong enough signal to actually transmit the images. (Long story but it seems 4G is far more robust in these situations than 5G).
So after getting to the stand at 7:40am(ish), I finally left it at about 3:30pm (maybe later). However the day was not finished yet, during the time on the stand I received details that I would have a 30 minute position at the Laying in state .. but thats for the next post..
I look forward to hearing your comments… Until the next time..
Julie Edwards-X 