Time Out

It’s Saturday morning and I am on the train to London. This weekend in the BAFTA’s and I will be covering the nominees party tonight before heading over to the Royal Albert Hall for the main event Sunday.

It was with this in mind that at the end of Wednesday I headed over to Eastbourne and Hastings for 2 days “off the grid” (ok, I’ll be honest I looked at my emails twice because I have an important meeting Monday and I needed to confirm the time. I also answered one phone call yesterday about today’s job). I did not look at any social media, thats no Facebook, no Twitter, no LinkedIn, no blogging and no news. For someone who’s social media is a big part of their work, this is, to be honest, quite difficult but I did manage it. (This morning’s catch up was quite intense though!).

I spent the Thursday exploring Hastings, a town I have only really passed through. My plan was to visit the Jerwood Gallery and the Old Town and then spend some time painting (how I relax – see @artyfartyedwards on instagram). To ensure I did not take a work attitude to the photography, I took an old X-T1 with a 27mm Pancake set to extreme Black and White (thats with a Yellow Filter film simulation and +2 on the lights and shadows).

With Storm Erik in full force, the waves were stunning, I guess the shape and position of Hastings explains why the waves here were more impressive than my home town of Worthing.

The aim of the photography was just to please me. I feel that we professional photographers often get so lost in the business of photography, the commercial aspects of the image, practicing techniques to use professionally that we often forget to take time and shot just to please ourselves.

The fishing boats are a very common subject for photos in the town, its easy to see why, there are pictures every which way you look.

Of course with so much fish around, you can expect gulls and here I did switch to the one other lens I brought with me, the 35/1.4. It’s been around for quite a while but it is a favourite of mine despite being slow to focus.

The storm clouds of course do not only bring “poor weather” they can also be responsible for funnelling the light, particularly at either end of the day.

I think these images show that chasing the latest technology, the latest gizmo is not the best way to get lovely emotional images. Taking time, settling into the location, taking it slow, not worrying about what is going on elsewhere and in fact focusing 100% on whats in front of you is far more important!

I have a confession to make though. I spent a while on the beach photographing the waves. I could see what I was capturing and was loving it, in my head I was visualising how a set of these images could be printed and presented and for the first time ever, I had a yearning to be shooting on the medium format GFX (yes despite all I said above!).

So as I walked back to the car in the afternoon light after a relaxing day looking at paintings and creating photos just because…. this little thought raised it’s head… “you really do need to try the GFX you know” … “nothing to do with business you understand.. just because“..

P.s. The thought did not last long… I spent the next day painting and not worrying about the business of photography.

P.p.s. I will try the GFX once I get a suitable moment… maybe on my next time out off the grid…

Making Waves

If I see another 10 Stop, dreamy, long exposure seascape I’m going to scream! It’s been done! Move on! Try something new!

Well this is the antidote to that, the anti-long exposure seascape.

From my last post (and if you have looked at any of my previous work on my website) you will see I photograph a lot with shallow depth of field. In fact I probably do it too much. At WOMAD I was playing with the 56mm wide open (F1.2) in the bright sun. I thought I needed to play with it more, to see what was possible, maybe I could use it in other circumstances, so, I did what I always do when I want to test and play, I headed to the beach. Of course it helps I live 2 minutes walk from the sea but it does mean I end up with far too many photographs of seaguls and kite-boarders (testing focus tracking) and seacapes (well, because thats where I live).

The tide was comming in and the waves were breaking quite nicely. Set the ISO to 400, Aperture Priority and F1.2.

Full frame:

Worthing Sea: X-1T, 56mm, F1.2 @ 1/32000

1:1 Crop:

1:1 Crop from Centre (and rotated)

Look at the patterns, the droplets and overall the detail! I’ve of course photographed waves breaking at fast shutter speeds butnever this fast! The electronic shutter opens up new possiblites that was only possible using flash in the past. I’m sure that the speed effects themselves are going to add much to my day-to-day work in itself however the fact that I can now shoot wide open at almost any time without filters is a huge benefit.

As for the anti-long exposure seascape? I love something about this; just the single groyne post sharp. Even Classic-Chrome has it’s use sometimes….

Breaking Waves: X-1T, 56mm/F1.2 @ 1/15000, Classic Chrome