Frightfest 2022

Packed Bag: GFX50R / X-T3 / X-H2S / 16-55 / 90 / 56 / 35 / Godox Lights / Triggers

Since 2009 my August Bank Holiday Weekend has been spent in Leicester Square as the official photographer for the Frightfest Film Festival.

This year was no different as I headed up last Thursday morning with the Think Tank Airport full to the brim with 3 Fuji Cameras, Assorted Lenses plus Godox lighting (with a couple of Lume LED’s thrown in for good measure).

With full control of the Frightfest Media Wall and it being many of the filmmakers first experience of one, I try to make it a fun time for all whilst I endeavour to create images that are a cut above the normal flat step and repeat images that emanate from most of these events.

Tom Felton : X-T3 / 56 @ 2.2 / Single Light

I do this by setting up an AD200 on a stand controlled by a camera mounted V1 on the X-H2S. I also set up an X-T3 with a controller so I can switch to that using just the AD200 for single light portraits. With the V1 controlling the light I can change the balance, making the light flatter or adding more shape with the AD200 on the fly.

Megan Rose Buxton : X-H2S / 16-55 / 2 Lights

I augment this by moving mine and the subjects position / angle as we shoot to bring in the shadow I want.

Kyra Gardner / X-T3 / 56 @ 2.0 / Single Light

Of course this is all only possible because I have complete freedom (within reason) and a bit more time than the rest of the photographers. With the number of films attending (I shot over 60 films + atmosphere & a dinner over the weekend) there are always time limits so I have to work fast.

Zach Cregger : X-T3 / 56 @ 2.8

These limits are even more pronounced when photographing a genre icon like Dario Argento. With the security pressures keeping the autograph hunters at bay along with Dario’s increasing frailty it meant working very fast while he was with me. As I have photographed Dario a few times I decided to go all out and just go for a single light portrait on the GFX. With the language barrier between us i knew I had to get the light right up front as I would not have much time to adjust. I have too say I was fairly pleased with this…

Dario Argento : GFX50R / 63 @ 2.8 Single Light

The Timelapse below shows creating this image

Photographing Dario Timelapse / iPhone

Away from the media wall I created a number of portraits over the weekend featuring the Cinema staff who wore horror cosplay. These portraits will be the subject of the next post.

Self Portrait on IMAX screen : iPhone

As always, I select a good number of images from around the festival to create a slideshow on the IMAX screen before the last film screens. For the first time I put my self portrait / light test in. The bottom line is that the images have to be good & sharp to stand up to this huge sized scrutiny…. (They do 😉 )

Until the next post, let me know your thoughts and, as always, stay creative !