Primed for WOMAD

Loaded and ready to go (iPhone)

If you have read this blog for a long time or if you follow me on social media you will know I ride a motorbike and do not drive a car. This means if I choose to go to a festival and camp on the bike, I need to pack carefully. Some would say, right take 2 zooms, 16-55 & the 50-140 however one of the reasons I go to WOMAD is i don’t know what I’m going to get, which acts might become more relevant to press or who will be reviewed therefore I go with no pressure, no expectation, just having the aim of producing lovely images (there is always lots of colour here).

So my packing was 2 x X-T3, a 14/2.8, the 35/1.4 , a 56/1.2 & 90/2.0

Add to that a small tent, minimal wardrobe and the MT-07 is loaded.

Fatoumata Diawara – 56/1.2

Taking prime lenses means I have to work (slightly) harder to get the images, working the angles but this makes me think and slow down and think about how I want to portray the act.

I’ve said it before and I’ll say it again “there is no point having fast lenses if you shoot with them closed down all the time” so probably 90% of my images are shot wide open

Japanese vocal performer Hatis Noit – 90/2.0
Japanese vocal performer Hatis Noit – 56/1.2

Japanese vocal performer Hatis Noit was a joy to shoot – bright colours, amazing shapes and lighting that shouted “play with me” and with the 90 on camera and the 56 on the other I obliged with both lenses rendering the colours (in Astia profile) really nicely with (the 56 mainly) beautiful flare.

Kae Tempest – 56/1.2

Kae’s set was in complete contrast, more simple, stark and emotional

Fun of the fair – 35/1.4 @ F2 / 1/25th

I was sad to read the demise of regular visitor Carters Steam Fair and although the modern replacements are colourful, making lovely images, I feel they are just too brash, not meeting the the atmosphere of the festival.

Wayne Coyne – 56/1.2

The 56 is well touted as a great portrait lens – shooting wide open with eye tracking as I did for this backstage portrait of Wayne Coyne, lead singer and songwriter of the Flaming Lips, renders the background and even the hair lovely sand soft ensuring the eyes and face get all of the views attention.

Taiwanese contemporary dance troupe B.Dance – 14mm/3.6

The 14mm was useful a few times none more so that with Taiwanese contemporary dance troupe B.Dance, closing the aperture down slightly to keep them all in focus.

Im writing this on the Sunday morning before I shoot the acts of the last day, (the super efficient workflow you have been reading about 🤪 means I am totally up to date with my editing and sending) .

I think the images from the first 3 days give a good enough flavour how I use (and am inspired by the quality of) the Fuji prime lenses.

I have tried not to use the same images as I have posted on my social media channels in this post so if you do not follow me, there are links elsewhere on the page.

So, break out the primes, don’t just twist, use your feet and brain, and go create some images.. I look forward to seeing them.

More soon..

WOMAD

Despite using, writing about and loving the XF90/F2 lens over 2 years ago in Cannes (and borrowing one since), I had not purchased one until a few weeks ago, when I took advantage of the (recently expired) cash back offer to pick a shiny new XF90 up from my preferred dealer Fixation.

It’s with this new purchase, a pair of X-T2’s plus a XF14/2.8 and XF56/1.2 that I rode down to cover WOMAD this weekend. Travelling by motorbike means I like to travel as light as possible. I had guessed that the XF90 (equivalent of approx a 135mm) would be ideal for half length images on the main stage, with the XF56 for full length. I guessed right.

The 2 most effective ways of using a wide such as the XF14 is either to get in close to exaggerate the perspective or to take a step back for the wide general view.

Moon Hooch performs on the Charlie Gillett Stage WOMAD Festival (World of Music Arts and Dance) on Friday 26 July 2019

Moon Hooch performs on the Charlie Gillett Stage : X-T2 & 14mm@F11

Anna Calvi performs on the Open Air Stage WOMAD Festival (World of Music Arts and Dance) on Saturday 27 July 2019

Anna Calvi performs on the Open Air Stage shot from the top of the Light/Sound Tower. X-T2 & 14mm@F2.8 (1/5th sec)

On the smaller, less bright stages, the speed (wide aperture) of the XF56 enabled a lower ISO and higher shutter speed than the slower F2.8 lenses.  Gigs (should) feature bright lights, strong colours and high contrasts which can make them tricky. Shooting with the  Astia simulation dialled in, I set a fixed white balance (depends on the venue) and the dial down the hilights in camera whilst increasing the shadow contrast. The resultant jpgs require minimal work. (If it is a tricky venue, I do switch to RAW).

Anna Calvi performs on the Open Air Stage. X-T2 +XF56@F1.2

Anna Calvi performs on the Open Air Stage. X-T2 & XF56@F1.2

Macy Gray performs in the Saim Tent at WOMAD X-T2 & XF56@F1.2

Macy Gray performs in the Saim Tent at WOMAD X-T2 & XF56@F1.2

The XF90 allows me to stay further back and produce an image with a lovely soft out of focus background. To enable a wide aperture on bright days I sometimes resorted to the Mechanical + Electronic shutter option. As long as there are no artificial lights or fast moving subject the ES is fine.

Atmosphere at the WOMAD Festival (World of Music Arts and Dance) on Friday 26 July 2019

Relaxing in a hammock checking a smartphone. X-T2 & XF90@

Extinction Rebellion The Red Brigade at the WOMAD Festival. X-T2 & XF90@F2

Extinction Rebellion The Red Brigade at the WOMAD Festival. X-T2 & XF90@F2

Extinction Rebellion The Red Brigade at the WOMAD Festival. X-T2 & XF90@F2

Extinction Rebellion The Red Brigade at the WOMAD Festival. X-T2 & XF90@F2

I must admit i got a bit carried away with the bright reds of the robes against the dark greens of the arboretum and did not really shoot enough wide images to put the brigade into a wider context. I did love the images i got though..

So that was WOMAD, shot on 3 fixed length lenses. Zoom lenses are very handy but they are not the only tool!

Next up, probably Brighton Pride next week…..