If you have read this blog for a long time or if you follow me on social media you will know I ride a motorbike and do not drive a car. This means if I choose to go to a festival and camp on the bike, I need to pack carefully. Some would say, right take 2 zooms, 16-55 & the 50-140 however one of the reasons I go to WOMAD is i don’t know what I’m going to get, which acts might become more relevant to press or who will be reviewed therefore I go with no pressure, no expectation, just having the aim of producing lovely images (there is always lots of colour here).
So my packing was 2 x X-T3, a 14/2.8, the 35/1.4 , a 56/1.2 & 90/2.0
Add to that a small tent, minimal wardrobe and the MT-07 is loaded.
Taking prime lenses means I have to work (slightly) harder to get the images, working the angles but this makes me think and slow down and think about how I want to portray the act.
I’ve said it before and I’ll say it again “there is no point having fast lenses if you shoot with them closed down all the time” so probably 90% of my images are shot wide open
Japanese vocal performer Hatis Noit was a joy to shoot – bright colours, amazing shapes and lighting that shouted “play with me” and with the 90 on camera and the 56 on the other I obliged with both lenses rendering the colours (in Astia profile) really nicely with (the 56 mainly) beautiful flare.
Kae’s set was in complete contrast, more simple, stark and emotional
I was sad to read the demise of regular visitor Carters Steam Fair and although the modern replacements are colourful, making lovely images, I feel they are just too brash, not meeting the the atmosphere of the festival.
The 56 is well touted as a great portrait lens – shooting wide open with eye tracking as I did for this backstage portrait of Wayne Coyne, lead singer and songwriter of the Flaming Lips, renders the background and even the hair lovely sand soft ensuring the eyes and face get all of the views attention.
The 14mm was useful a few times none more so that with Taiwanese contemporary dance troupe B.Dance, closing the aperture down slightly to keep them all in focus.
Im writing this on the Sunday morning before I shoot the acts of the last day, (the super efficient workflow you have been reading about 🤪 means I am totally up to date with my editing and sending) .
I think the images from the first 3 days give a good enough flavour how I use (and am inspired by the quality of) the Fuji prime lenses.
I have tried not to use the same images as I have posted on my social media channels in this post so if you do not follow me, there are links elsewhere on the page.
So, break out the primes, don’t just twist, use your feet and brain, and go create some images.. I look forward to seeing them.